Year's Best SF 8. David G. Hartwell. Eos Books 2003.

US pbk (amazon.com)
UK pbk (amazon.co.uk)
click yellow buttons to jump to specific stories, else scroll down for reviews.
clickme Bruce Sterling In Paradise
clickme Michael Swanwick Slow Life
clickme Eleanor Arnason Knapsack Poems
clickme Geoffrey A. Landis At Dourado
clickme Robert Reed Coelacanths
clickme Ken Wharton Flight Correction
clickme Robert Sheckley Shoes
clickme Charles Sheffield The Diamond Drill
clickme Ursula K Le Guin The Seasons of the Ansarac
clickme Richard Chwedyk A Few Kind Words for A E Van Vogt
clickme Charles Stross Halo
clickme Terry Bisson I Saw the Light
clickme A M Dellamonica A Slow Day at the Gallery
clickme Paul Di Filippo Ailoura
clickme J R Dunn The Names of All the Spirits
clickme Carol Emshwiller Grandma
clickme Neal Asher Snow in the Desert
clickme Greg Egan Singleton
clickme Robert Onopa Geropods
clickme Jack Williamson Afterlife
clickme Gene Wolfe Shields of Mars
clickme Nancy Kress Patent Infringement
clickme Michael Moorcock Last Sorceress of the Silent Citadel

As per my usual routine, a run through the stories in the order in which they appear. Those stories which I reviewed during 2002 in their original appearance will for the most part have the original review quoted.

Bruce Sterling. In Paradise.
Originally in : F&SF, September 2002

In my original review I wrote:

Michael Swanwick. Slow Life.
Originally in : Analog, December 2002

In my original review I wrote:

Eleanor Arnason. Knapsack Poems.
Originally in : Asimovs, May 2002

In my original review I wrote:

Geoffrey A. Landis. At Dourado.
Originally in : Asimovs, Oct/Nov 2002

In my original review I wrote:

Robert Reed. Coelacanths.
Originally in : F&SF, March 2002

In my original review I wrote:

Ken Wharton. Flight Correction.
Originally in : Analog, March 2002

In my original review I wrote:

Robert Sheckley. Shoes.
Originally in : F&SF, February 2002

In my original review I wrote:

Charles Sheffield. The Diamond Drill.
Originally in : Analog

In my original review I wrote:

Ursula K. Le Guin. The Seasons of the Ansarac.
Originally in : The Infinite Matrix

In its reprint in F&SF, February 2003, I wrote:

Richard Chwedyk. A Few Kinds Words for A E Van Vogt.
Originally in : Tales of the Unanticipated

A piece of verse.

Charles Stross. Halo.
Originally in : Asimovs, June 2002

In my original review I wrote:

Terry Bisson. I Saw the Light.
Originally in : SCI FICTION, October 2002 - and still online
here

In my original review I said:

    Some decades hence, humanity has given up on the space program. Until, that is, there is a sign of life on the moon. A beacon beckons, and a crew is hastily put together. The black pyramidical beacon appears to offer us hope, but in the end, we are seen to be little better than domesticated animals, like the pet pooch at the beginning of the story. (Hey, never saw that one coming, Mr Bisson!)

A. M. Dellamonica. A Slow Day at the Gallery.
Originally in : Asimovs, Oct/Nov 2002

In my original review I wrote:

Paul Di Filippo. Ailoura.
Originally in : Once Upon a Galaxy

The 'Once Upon a Galaxy' anthology theme was that of fairy tales. Here Di Filippo updates the story of 'Puss in Boots', which features wicked stepmothers and stepbrothers, patricide etc., as with all good fairy tales, but with an SFnal background. Fine as far as it goes, but not outstanding.

J. R. Dunn. The Names of All the Spirits.
Originally in : SCI FICTION, July 2002 - still online
here

The dark loneliness of space, and the sacrifices men have to make, are handled well in a story in which an investigator visits a mining operation, to find out whether one of the miners has been in contact with the burgeoning threat of escaped AIs that are congregating in our solar system. Particularly striking is the concept of the miners transferring themselves between mining operations by being fired through space in their spacesuits, going into a self-induced coma to eke out oxygen and supplies during the low-cost, high-risk passage. And when a men finds himself in those situations, he is truly alone.

Carol Emshwiller. Grandma.
Originally in : F&SF, March 2002

In my original review I wrote:

Neal Asher. Snow in the Desert.
Originally in : Spectrum SF 8

In my original review I wrote:

Greg Egan. Singleton.
Originally in : Interzone, February 2002

In my original review I wrote:

Robert Onopa. Geropods.
Originally in : F&SF, July 2002

In my original review I wrote:

Jack Williamson. Afterlife.
Originally in : F&SF, February 2002

In my original review I wrote:

Gene Wolfe. Shields of Mars.
Originally in : Mars Probes

Wolfe paints a vivid picture at the conclusion of the story, a human and an alien, both long resident on Mars, playing a swordfighting game, as they did as children. The backstory is that of a now-deserted tourist town, an oxygen manufacturing plant that has been wound down but is under terrorist threat. But as for plot etc., nyah.

Nancy Kress. Patent Infringement.
Originally in : Asimovs, May 2002

Michael Moorcock. Last Sorceress of the Silent Citadel.
Originally in : Mars Probes

Moorcock has great fun in revisting planetary romances of the Leigh Brackett (to whom the story is dedicated) and ERB type, and of course, Moorcock's own earlier works in that vein. Indeed the main character is at one point anagrammatically named Tarzan, and Moorcock similarly has anagrammatical fun with British Chancellor of the Exchequer Gordon Brown.

Captain John MacShard, a hero amongst heroes, has to go deep within himself to rescue the maiden and defeat the Sorceress of Mars.

Conclusion

I had read the majority of the stories included this year, and had I read Mars Probes would have been close to 100%. As you can see from the tone of the reviews, I concur in the majority of cases with Hartwell's choices.

Big advantages over the Silverberg/Haber collection are that this volume has twice as many stories, and has editorial introductions to the stories. (Mind you they mis-spell the title of Arthur C Clarke's story 'The Sentinel' and erroneously state that several of Neal Asher's stories have appeared in Spectrum SF).

Another minor quibble is that the two Mars Probes stories are so close together - separating them further would have helped.

So, IMHO, if your pocket (either budget-wise or physical-size) doesn't stretch to the forthcoming Dozois anthology, then I would put this collection some way ahead of the Silverberg collection.

copyright Mark Watson 15th June 2003