Liz Williams. Ikiryoh.
Originally in: Asimovs, December 2005.
When it appeared last year I wrote:
Set in the same setting as Williams 2004 novel 'Banner of Souls'. Not being familiar with that, the story as a singleton is OK as far as it goes, describing a woman charged with looking after a young girl who has the misfortune to have the darker side of the nature of another visited upon her. Does she have a chance to overcome this? The story ends posing this question, which is the point at which I was expecting it to kick off into a longer stretch.
Cory Doctorow. I, Robot.
Originally in: Infinite Matrix - still online
When it appeared online I was taken by the story and reviewed at length :
I was attracted to this story due to a) its length (Infinite Matrix tends towards 'nanotales', a form of story which tends not to do much for me) b) its authorship ('nuf said) c) and the intriguing background to the story : 'Last spring, in the wake of Ray Bradbury pitching a tantrum over Michael Moore appropriating the title of 'Fahrenheit 451' to make Fahrenheit 9/11, I conceived of a plan to write a series of stories with the same titles as famous sf shorts, which would pick apart the totalitarian assumptions underpinning some of sf's classic narratives.'
Arturo Icaza de Arana-Goldberg is the cop who struggles with the ubiquitous nature of robotics in Doctorow's disturbing near-future USA. He has trouble with them, with his teenage daughter, whose middle name -is- Trouble, and with his wife who has left him, and his country in the lurch.
Whereas the Will Smith vehicle of this title has US Robotics as the global hi-tech leader, her we have UNATS Robotics' robots making the streets a safer place. Unfortunately, whilst they are properly imbued with the 3 Laws, the robots from Eurasia have no such positronic compunctions, which is bad for global relations and bad for the United North American Trading Sphere, but personally bad for Arturo, as his wife has fled the States to take her world leading robotic skills to that other continent.
Doctorow unfurls on the one hand a reasonably dramatic search/rescue mission, as Arturo has to use his native human cunning to track down his missing daughter, whilst a very scary society in with Regional Managers for Social Harmony are keeping a very close eye on people is detailed.
Arturo ends up following his wife's lead, hoping for a somewhat freer life away from the claustrophobic States, only to find that the use of robotic tech has gone much further, and that humanity is threatened in an entirely different, albeit similarly scary manner.
Conclusion
I made the mistake of taking this on a very long train journey, thinking it would pass a lot of time. However, only a couple of the longer stories were previously unknown to me, and all the short shorts from Nature!
The Hartwell/Cramer view on what constitutes the best in SF is very close to my own, and there are very few complaints from me over the stories they have chosen. The inclusion of the Nature short shorts gives the table of contents a near Dozois-like size, but even without those this is a good collection of literate SF for those of you who prefer Asimov's SF magazine to Analog SF.
[UPDATE : Also covering the same year in question are 'The Year's Best Science Fiction 23rd Annual Collection (ed Dozois) ['LINK], 'Science Fiction The Best of the Year 2006 Edition' (ed Rich Horton) [LINK] and 'Science Fiction The Very Best of 2005' (ed Jonathan Strahan) [LINK] ]
copyright Mark Watson 1st July 2006